The Broken (2008)

It's hard to discuss this movie without revealing any spoilers; thus and so, SPOILERS AHOY and all that from here on out. Ready? OK. Here we go...

Anyhoo, what I thought was being set up as a rehash of Carnival of Souls (1962) actually turned out to be a kinda-sorta fresh twist on Invasion of the Body Snatchers ( -- either 1956 or 1978, take your pick, they’re both fantastic). 

Here, writer and director Sean Ellis spins a tale of a woman (Headey) who spots her exact double on the streets of London, follows her to an apartment filled with pictures of herself and her family; a place she has never been and pictures she doesn't remember taking part in, and is so distraught by this freak encounter she flees the scene, then loses control of her car, and gets into a terrible accident.

Then, as she recovers, and her scattered and blocked memories of this traumatic event slowly piece themselves back together, the behavior of those closest to her appears to be off, strange, belligerent even -- one could even say they're acting exactly the mirror-opposite of themselves. 

And as our protagonist’s paranoia goes off the rails, she even goes so far as to claim her boyfriend is no longer the man she knew but something ... "else."  

Well, turns out she's right -- only the root cause is not alien invaders, per se, but an incursion by trans-dimensional beings who lurk on the other side of the mirror pane, who are now shattering their way through the glass, murdering their doubles, and taking over their lives. 

Sean Ellis.

Again, last warning on the SPOILERS as we reach the climax and the final twist, where our character's memories finally coalesce, and we discover that she was the invading double all along. 

Now, once you figure out the trajectory of the plot, The Broken (2008) holds no real surprises, though I did appreciate the original approach of this old sci-fi fable, telling it through the eyes of a defective duplicate, who was having some guilt issues over the homicidal assimilation process. 

There are also some truly effective uses of light and shadows, of spectral faces appearing in the dark and then solidifying, signaling the end of another victim.  

Probably doesn't hurt that mirrors kinda freak me out anyway, which I'm sure reflects greatly on my reaction to this movie. As always, your refraction rate may vary.  

Originally posted on March 26, 2016, at Micro-Brewed Reviews. 

The Broken (2008) Left Turn Films :: Ugly Duckling Films :: Gaumont International :: After Dark Films / EP: Franck Chorot / P: Lene Bausager / AP: Winnie Li, Yves Chevalier / LP: Marshall Leviten / D: Sean Ellis / W: Sean Ellis / C: Angus Hudson / E: Scott Thomas / M: Guy Farley / S: Lena Headey, Ulrich Thomsen, Melvil Poupaud, Michelle Duncan, Richard Jenkins